Frankenstein: How a Monster Became an Icon

Frankenstein: How a Monster Became an Icon

Mary Shelley's Frankenstein turns a ripe old 200 in 2018, and one of the first of a probable flood of books to commemorate that bicentennial is this volume Frankenstein: How a Monster Became an Icon, edited by Sidney Perkowitz and Eddy Von Mueller. The anthology is divided into three unequal parts: Part One is about Shelley's book itself (including Laura Otis' very strong “Frankenstein: Representing the Emotions of Unwanted Creatures”); Part Two concentrates on Frankenstein in the media; Part Three consists of two essays about Frankenstein and science, with the standout piece being “Frankenstein and Synthetic Life: Fiction, Science, and Ethics” by Perkowitz.

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In the Shadow of Agatha Christie

In the Shadow of Agatha Christie

As the great editor (he of last year's excellent The New Annotated Frankenstein) Leslie Klinger notes in his Introduction to In the Shadow of Agatha Christie: Classic Crime Fiction by Forgotten Female Writers, 1850-1917, Christie will always be considered “the Queen of Crime.” This kind of sobriquet naturally invites readers to search for predecessors – and naturally invites editors to assemble books like this one. Even half a century ago the exercise was in full swing with Hugh Greene's now-venerable The Rivals of Sherlock Holmes.

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