The Library of America Don DeLillo
/Three works by the great American novelist Don DeLillo enter the Library of America.
Read MoreAn Arts & Literature Review
Three works by the great American novelist Don DeLillo enter the Library of America.
Read MoreA stuffed, generous collection of post-WWII fantasy stories from around the world.
Read MoreA debut collection of short stories centering around a frat house, where boys and girls navigate the limbo between adolescence and adulthood.
Read MoreThis huge book is a bonanza of finds, from the well-known to the gloriously idiosyncratic.
Read MoreThe biting little irony is that finishing this book will create a near-irresistible urge to read a Holmes story.
Read MoreThe science fiction world now has this one last hefty volume of wonders as a reminder of a great editor now gone.
Read MoreThese novels gave form to the unreachable dreams of glory that would motivate and torment O’Hara for the rest of his professional career.
Read MoreThe cultures and histories of the Midwest assayed from dozens of different vantage points, displaying a huge region of the United States that's often written off.
Read MoreA grand arrangement of five classic and addictively readable pulp novels,
Read MoreAn anthology of stories by the most iconic women of the detective canon over the past 150 years.
Read MoreMary Shelley's Frankenstein turns a ripe old 200 in 2018, and one of the first of a probable flood of books to commemorate that bicentennial is this volume Frankenstein: How a Monster Became an Icon, edited by Sidney Perkowitz and Eddy Von Mueller. The anthology is divided into three unequal parts: Part One is about Shelley's book itself (including Laura Otis' very strong “Frankenstein: Representing the Emotions of Unwanted Creatures”); Part Two concentrates on Frankenstein in the media; Part Three consists of two essays about Frankenstein and science, with the standout piece being “Frankenstein and Synthetic Life: Fiction, Science, and Ethics” by Perkowitz.
Read MoreAs the great editor (he of last year's excellent The New Annotated Frankenstein) Leslie Klinger notes in his Introduction to In the Shadow of Agatha Christie: Classic Crime Fiction by Forgotten Female Writers, 1850-1917, Christie will always be considered “the Queen of Crime.” This kind of sobriquet naturally invites readers to search for predecessors – and naturally invites editors to assemble books like this one. Even half a century ago the exercise was in full swing with Hugh Greene's now-venerable The Rivals of Sherlock Holmes.
Read MoreAn arts and literature review.
Steve Donoghue
Sam Sacks
Britta Böhler
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Eric Karl Anderson
Olive Fellows
Jack Hanson
Jennifer Helinek
Justin Hickey
Hannah Joyner
Zach Rabiroff
Jessica Tvordi